Mediascape
 

Fall '09

  • Co-Editors-in-Chief:
    Jennifer Porst - jenporst@mac.com
    Maya Montañez Smukler - msmukler@ucla.edu
  • Associate Features Editor:
    Mila Zuo
  • Columns Editor:
    Bryan Hartzheim
  • Assistant Columns Editor:
    Paula Perez
  • META Editor:
    David O'Grady
  • Assistant META Editor:
    Heather Collette-VanDeraa
  • Research Assistant:
    Katherine Simon
  • Web Designer:
    Delicious Simplicity

Mediascape
UCLA School of Theatre, Film, and Television
102 East Melnitz Hall
Box 951622
Los Angeles, CA 90095-1622

General Email Address - Mediascape@tft.ucla.edu

Funding Provided by the UCLA Graduate Students' Association

Introduction

Letter from the Editors
by Maya Montañez Smukler and Jennifer Porst

Features

Sex, Comedy and Controversy: Kiss Me, Stupid, What’s New, Pussycat?, New Hollywood, and Metropolitan Taste
By Ken Feil

The Shaw-Tarantino Connection: Rolling Thunder Pictures and the Exploitation Aesthetics of Cool
By Kenneth Chan

"A Hell of a Place": The Everyday as Revisionist Content in Contemporary Westerns
By Erica Stein

Video Essays

Introductions
By Jennifer Porst, Maya Montañez Smukler

White House, Black President
By Clifford Hilo, Maya Montañez Smukler, Julia Wright

Layers of Paradox in F for Fake
By Benjamin Sampson

HBO's Cinematized Television
By Erin Hill and Brian Hu

Towards a New Genre of Video Game Play
By Drew Morton, David O’Grady and Jennifer Porst

Columns

"This is what's really cool about NFL Films" - An Interview with Margaret Ruffing Morris
By Jennifer Porst

Reading ESPN Against Niches
By Sudeep Sharma

Meta

Scholars on the Subject of Media, Politics and the Academy (in 10 parts)
By Jason Mittell, Scott Ruston, Timothy Shary, and Vernon Shetley

Urban Script: Constructing the Site Through Narrative and Documentary Structures
By Diane Davis-Sikora

Fall '08

  • Co-Editors-in-Chief:
    Jennifer Porst
    Maya Montañez Smukler
  • Features Editor:
    Mila Zuo
  • Assistant Features Editor:
    Corella Difede
  • Reviews Editor:
    Brian Hu
  • Columns Editor:
    Bryan Hartzheim
    Jonathan Cohn
  • META Editor:
    David O’Grady
  • Copy Editor:
    Paula Perez
  • Research Assistant:
    Katherine Simon
  • Web Designer:
    Delicious Simplicity
  • General Email Address - Mediascape@tft.ucla.edu
  • Funding Provided by the UCLA Graduate Students' Association

Introduction

Letter from the Editors
by Maya Montañez Smukler and Jennifer Porst

Articles

By, For, and About: The 'Real' Problem in the Feminist Film Movement
by Shilyh Warren

Gray or Black? Howard Koch and the Elusive Architecture of the Hollywood "Lists"
by Heather Heckman

Reviews

Media Spectacle and the 2008 Presidential Election: Some Pre-Election Reflections
by Douglas Kellner

Low and Behold: Using Fiction/Documentary Hybridity to See the Real Damage of Hurricane Katrina
by David O'Grady

Columns

New Media as Election Strategy: How Obama and McCain Court the Net Generation
by Brett McCracken

Out of the Mouths of Babes: Animated Sitcoms and Political Incorrectness
by Phil Scepanski

Bad Techno-Subjects: Griefing is Serious Business
by Aubrey Anable

Meta

Scholars on the Subject of Media, Politics and the Academy (in 12 parts)
By Allyson Nadia Field, Toby Miller, Bill Nichols, and Chuck Tryon

Spring '08

  • Co-Editors-in-Chief:
    Jennifer Porst
    Brett McCracken
  • Features Editor:
    Maya Montañez Smukler
  • Reviews Editor:
    Brian Hu
  • Columns Editor:
    Jonathan Cohn
  • META Editor:
    Bill McClain
  • Research Assistant:
    Jasmine Thornewell
  • Web Designer:
    Delicious Simplicity
  • General Email Address - Mediascape@tft.ucla.edu
  • Funding Provided by the UCLA Graduate Students' Association

Introduction

Letter from the Editors
by Brett McCracken and Jennifer Porst

Articles

Historiography of the World Part 1: The Jewish Body, Historical Crisis and The Comedic Farce
by Joshua Louis Moss

Acting for the Cameras: Performance in the Multi-Camera Sitcom
by Christine Becker

Male Masculinity as the Celebration of Failure: The Frat Pack, Women, and the Trauma of Victimization in the "Dude Flick"
by Peter Alilunas

Reviews

O Brother, O Sister
by Jeffrey Sconce

And Now, Just the News: A Week in the Life of A Daily Show
by Nick Marx

The Darjeeling Limited: Critiquing Orientalism on the Train to Nowhere
by Nandana Bose

Columns

First-Person-Shooter-Suicide and Some Political Provocations of Emergent Gameplay
by John Bridge

Machinimateur Wanted: The Professionalization of Machinima
by Robert Jones

Game Capture: The Machinima Archive and the History of Digital Games
by Henry Lowood

Notes on What One Can Learn About a Video Game Without Playing It
by Deanna Gross

Trauma Engines: Representing School Shootings Through Halo
by Harrison Gish

Meta

A Manifesto For Critical Media
by Eric Faden

The Documentary's New Politics
by Eric Faden

"Here Comes the Sun?" Persephone's Winter and the Gendered Construction of Myth
by Phil Wagner

Some Analog Lines
David Lowery

World of Wonder: An Authorized Documentary of a Production Subculture
by Adam Fish

Notes Towards a Project on Citizen Kane
by Paul Malcolm

Spring '07

  • Co-Editors-in-Chief:
    John Bridge
    Erin Hill
  • Features Editor:
    Laurel Westrup
  • Reviews Editor:
    Brian Hu
  • Columns Editor:
    Jonathan Cohn
  • Research Assistant:
    Brett McCracken
  • Copy Editors:
    Bill McClain
    Jennifer Porst
  • Web Designer:
    Dawn Fratini
  • General Email Address - Mediascape@tft.ucla.edu
  • Funding Provided by the UCLA Graduate Students' Association

Articles

Slights and Slants: Visual Representation in Carnivale
by Moe Folk

Negotiating Global/Local Identities: Jia Zhang-ke's The World
by Clifford Hilo

Columns

The Game Mechanics of Enlightenment - An Interview With Tracy Fullerton
by Jonathan Cohn

Is that a Kevin Smith in Your Pocket? Notes on a (Possibly) Emerging Platform
by Ethan Tussey

Obscure Objects of Media Studies: Echo, Hotbird and Ikonos
by Lisa Parks

Installments

A Curious Circumstance of the iPod Shuffle
by Bill Bahng Boyer

Reviews

The Promise: Re-writing Romantic Archetypes
by Ya-chen Chen

In Response to the AFI: Top 100 American Films by Women Directors
by Erin Hill and Brian Hu

Spring '06

  • Co-Editors-in-Chief:
    John Bridge
    Erin Hill
  • Features Editor:
    Laurel Westrup
  • Reviews Editor:
    Brian Hu
  • Associate Editor:
    Jason Gendler
  • Web Designer:
    Dawn Fratini
  • General Email Address - Mediascape@tft.ucla.edu
  • Funding Provided by the UCLA Graduate Students' Association
  • Articles

    "This is our Holocaust": Deepa Mehta's Earth and the Question of Partition Trauma
    by Dorothy Barenscott

    Eija-Liisa Ahtila's Affective Images in The House
    by Tarja Laine

    Storied Stores: Visual Culture and a People's History of the Archive
    by Zoe Trodd

    Reviews

    Women's History Trilogy (Kim Soyoung, 2000-2004)
    by Serena Formica

    Closed Borders and Open Secrets: Regional Lockout, the Film Industry, and Code-Free DVD Players
    by Brian Hu

    Fostering International Cinema: The Rotterdam Film Festival, CineMart, and the Hubert Bals Fund
    by Daniel Steinhart

    Spring '05

    • Co-Editors-in-Chief:
      John Bridge
      Erin Hill
    • Features Editor:
      Christopher Lane
      Amy Sloper
    • Reviews Editor:
      Brian Hu
      Rowena Aquino
    • Columns Editor:
      Mary Samuelson
    • META Editor:
      Candace Moore
    • Web Designer:
      Group Effort
    • General Email Address - Mediascape@tft.ucla.edu
    • Funding Provided by the UCLA Graduate Students' Association

    Articles

    Screen Angst: New Media Orientations and Youthfulness
    by Stephen Michael Charbonneau

    Inch'Allah Dimanche vs. Lila dit Ca: Transnational Feminism Counters the Streamlining of Accented Cinema
    by Zinaid Meeran

    Virtuality and Control In Spielberg's Minority Report
    by Jason Skonieczny

    Algunos Aspectos del Filmoteca de la UNAM
    by Noah Zweig

    Reviews

    Taking Film Studies to the Streets (and Back Again): On the Necessity of Criticism
    by Brian Hu

    Hollywood on the Head of a Pin: Montage and Marketing at the Oscars
    by Lisa Kernan

    Save the Green Planet!, Memories of Murder, and the 80s in Cinema
    by Byun Sungchan, translated by Hyongshin Kim

    Accessing Wal-Mart on the Internet: Diegetic Layers and Alternative Distribution and Exhibition Practices
    by Rowena S. Aquino

    Columns

    Notes from a Videogame Breakdown
    by Savitri Young

    Artificial Life in Real Time
    by Bernardo Rondeau

    Meta

    Notes on the "Historical Turn" and the Uses of Theory
    by Eric Vanstrom

    Your History Acts as Your Gravity: On Personal History, Passion, and Media Studies
    by Laurel Westrup


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